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    • New Work-"Prof. Woland"
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      • Flowers Stink
      • The Brontes
      • Finn McCool
      • The Saints
      • Oresteia
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    • Performer
      • Actor, Singer, Dancer
      • Singer-Songwriter
    • Director & Choreographer
    • Arts Educator
    • Resumes
  • Home
  • New Work-"Prof. Woland"
  • Dizzy Miss Lizzie
  • Playwright and Composer
    • Flowers Stink
    • The Brontes
    • Finn McCool
    • The Saints
    • Oresteia
  • Quick Links-Video & Audio
  • Performer
    • Actor, Singer, Dancer
    • Singer-Songwriter
  • Director & Choreographer
  • Arts Educator
  • Resumes

Debra Buonaccorsi

Debra BuonaccorsiDebra BuonaccorsiDebra Buonaccorsi

Dizzy Miss Lizzie's Roadside Revue presents The Oresteia

Book by Debra Buonaccorsi, Music & Lyrics by Debra Buonaccorsi and Steve McWilliams

If the ancient Greek playwright Aeschylus had gone on tour with Led Zeppelin, Woody Guthrie and a carnie troupe, this is what he would have written. A tale of blood, guts and vengeance, Aeschylus' Oresteia recharged. Rowdy, raucous, loud and literate.  

Production History

Keegan Theatre, DC, 2009

Capital Fringe Festival, DC 2008, co-production with Spooky Action Theatre

both directed by Debra Buonaccorsi

Press

The Washington Post, July 17, 2008

The spirit of fringe is rock-and-roll, so it's fitting that one of the most sizzling acts thus far in the third Capital Fringe Festival is an hour-long ramble through Greek tragedy set to amplified music...  nothing came close to the energy, imagination and discipline of this carnival-style rock show.

https://www.washingtonpost.com/wp-dyn/content/article/2008/07/16/AR2008071602788.html

Washington City Paper, July 17, 2008

Could the Revue crew really get through all three of the House of Atreus plays in the advertised 70 minutes? Turns out I’d underestimated the summarizing power of, for instance, the tart shorthand with which a vengeful Elektra, plotting the death of her matricide mother Clytaemnestra, sums up her thoughts about the long-banished brother she hopes will return to deliver the vengeful blow: “I hope he’s not a pussy.” 

https://washingtoncitypaper.com/article/338859/hip-shot-dizzy-miss-lizzie/

Literary Criticism Article

  The story is told through a blend of rock and roll, burlesque, vaudeville, profanity, and beer. Particular styles of rock music were used to define character. As noted above, Athena, a goddess, sang gospel, suggesting that her concerns were not the immediate but rather her concern for Orestes’ salvation aimed at the eternal. The Furies, on the other hand, employed punk, an angry, destructive nihilistic rock, rooted in three chords and fast, angry playing.   


"Pop Music Adaptations of Aeschylus' Plays: What Kind of Rock was Prometheus Fastened to?" by Kevin J. Wetmore Jr.  from The Reception of Aeschylus' Plays through Shifting Models and Frontiers" by Stratos Constantinidis

Pop Music Adaptation of Aeschylus' Plays (pdf)

Download

Video "Clytmenestra"

Script Excerpt from The Oresteia, Scene 4

Oresteia Script Excerpt, Scene 4 (docx)

Download

Audio

"The Libation Bearers"

vocals by Laura Keena with Emily Levey, Jennifer Richter and Maria Egler

"Athena"

vocals by Felicia Curry and cast

Debra Buonaccorsi

Copyright © 2024 Debra Buonaccorsi - All Rights Reserved.

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